影音檔案庫
BROWSE BY:
Chocorockxin Lee 'A Person Who Is Always Busy Liberating Others But Has Never Liberated Himself —Experiences and Memories of Theatre, Film, and Body in the 1990s'
Chocorockxin Lee 'A Person Who Is Always Busy Liberating Others But Has Never Liberated Himself —Experiences and Memories of Theatre, Film, and Body in the 1990s'
資料時間_ 2017/07/15

In 1993, New Tide Library of Chang Ching-chi’s Chi-wen Press published two of my books simultaneously. At the outset, both Chang’s professional knowledge and my own imagination regarding film books indicated that the market would welcome my A Few Things about Alain Resnais, Federico Fellini, and Film. But no one ever had any reason to believe that my other book, Gay Movies… (it seemed like a risky move), would be a bestseller and undergo multiple printings. I can’t help but laugh because these two books actually are like one thick book with two names. One is about queering Resnais and Fellini’s films, while the other is about making queer movies into movies by Resnais and Fellini. It’s obvious that I couldn’t come up with any new tricks, and this reversal not anything special.

“Excerpted from the first paragraph of this article.” 

This article is published in Broken Spectre catalog.

Read more:
1.捕捉文化史的鬼影:「破身影」展覽(2017/07/01-09/17)
2.〈[ET@T Forum] 重新破裂,或如何從漫長的九〇年代離開?〉,在地實驗影音檔案庫,2017/07/09
3.「過於喧囂的孤獨--台灣九〇年代的文化轉型」,在地實驗影音檔案庫

發佈時間_ 2018\05\30
版權資訊
原件著作財產權人: 文/李幼鸚鵡鵪鶉、圖/見文章圖說
數位檔案著作財產權人: 在地實驗
直接連結: http://archive.etat.com/?p=6870
發表迴響

請先登入社群網站,或是填寫兩個必填欄位「姓名」與「電子郵件」後再送出留言,您所輸入的資訊僅供本網站使用。

發表迴響

你的電子郵件位址並不會被公開。 必要欄位標記為 *

延伸閱讀
資料時間_ 1993-1994
「河左岸劇團」創立於1985年6月,創團成員均為以學生社團之詩社、文社名目歷經數年人文藝術思潮琢磨訓練的淡江大學學生,並同時深受社團指導者李元貞、施淑兩位女士的啟迪和影響。被視為1990年代臺灣劇場新潮第二波中堅團體的河左岸,其內斂的劇場美學、強烈文學性的語言風格,由於身處其他眾多激進於社會參與 ...
發佈時間_ 2017\12\20
0則迴響
資料時間_ 1997/09/18
光之片刻表演會社在地下開放劇展演出前的宣傳活動,特別安排一場於誠品敦南店門口前的戶外服裝秀演出,而這些戲服純粹是服裝設計盧定坤友情贊助。光是材料採買就已花費近十萬元,還不包括請師傅手工裁製、化妝等人事開銷。盧定坤說這一切只為戲好,並且也算是對自己從小就喜愛的白先勇作品及其筆下人物的一種敬意表現。(節錄自:楊莉玲,1997/09/18。白先勇筆下人物一一 ...
發佈時間_ 2016\08\16
0則迴響
資料時間_ 1996/05/12
臨界點劇象錄(1988-)由前衛劇場工作者田啟元(1964-1996)與詹慧玲、林泰助共同組成。1980年代,解嚴前後,在導演田啟元的帶領下,臨界點的劇作內容深具社會批判性,尖銳地反映階層問題及受壓迫者的困境。1996年8月田啟元逝世後,臨界點轉型為「生活劇場」,以誠實的態度、深刻的自我反省進行創作。《御先祖樣萬萬歲》為臨界點劇象錄1996年於四流巨星 ...
發佈時間_ 2016\08\24
0則迴響