影音檔案庫
BROWSE BY:
[MNML 20] 搭便車與歪斜時針—印尼與想像的印尼
影片長度
1:40:08
時間標籤
[MNML 20] 搭便車與歪斜時針—印尼與想像的印尼
資料時間_ 2017/10/14
資料地點_ 在地實驗

§ 《數位荒原》駐站暨群島資料庫計劃(第一年):觀察員—陳湘汶
§ NML Residency Project & Nusantara Archive: Chen Hsiang-wen

「今年夏天我以未來展覽的前期研究為目標前往印尼,駐留的地點是蘇拉威西島的望加錫、爪哇島上的日惹與萬隆,短短時間在千島國裡移動了不小的距離,能明顯感覺到島嶼間不同城市的文化、性格。Numpang這個態度支持著印尼當代藝術社群的軸心,那麼,台灣是否有相應的案例或者兩國藝術社群運作如何異同?在旅行的後期我思考著這個問題。而歪斜時針指的是我在不斷移動的過程中必須多次調整速率去配合不同地方的步調,期間不斷校正著對印尼的想像,也許永遠差那零點幾秒吧。」(陳湘汶)

“This summer I had a research trip in Indonesia on the purpose of curating an exhibition in the coming years. The locations of my residencies included Makassar in Sulawesi, as well as Jogja and Bandung in Jawa. Moving back and forth in the Nusantara region in such a short time, I could feel the differences of the cultures and characters among the islands. With the pre-existed idea of ‘Numpang’, the art community is benefited from and maintained with its support. At the later stage of my residency, I kept thinking of the question — can we have corresponding cases in our art scenes? How can we compare the two countries in this same or other regards? ‘Leaning hour hand’ means that I kept repeatedly adjusting my speed and correcting my imaginations about Indonesia according to the paces of life in different places, which I was always a couple of tenths missed.”


§ 講者介紹
§ SPEAKERS

陳湘汶為獨立策展人、文字工作者。養成背景為藝術史與藝術評論。曾擔任藝術雜誌採訪記者與編輯,對錯字和全半形標點很敏感。現工作主要來往於台南與台北,文章散見於各雜誌平台。近期關心以手藝、大眾或傳統文化等面向尋找新的台灣輪廓,2017年獲國藝會補助前往印尼做駐地研究與考察。

Chen Hsiang-Wen, an independent curator and freelance writer with a professional background in art history and art criticism. Formerly, she also worked as an editor and journalist in art magazine in which experience leads to her high sensitivity to the typographical errors and proper use of punctuation switched between full-width and half-width forms. Her articles are widely published among various magazines or social platforms. Chen now works back and forth in both Tainan and Taipei. Her recent research focuses primarily on the search of new interpretation for Taiwan through the development of handcrafts as well as mass-market or traditional orientations. In 2017, she has received a sponsorship from The National Culture and Arts Foundation in Taiwan for residency and research program in Indonesia.


§ 《數位荒原》駐站暨群島資料庫計劃(第一年)FB
§ 主辦單位:數位荒原(財團法人數位藝術基金會)
§ 協辦單位:在地實驗、打開-當代藝術工作站
§ 觀察團成員:陳湘汶、侯昱寬、賴英泰
(本計劃由「國家文化藝術基金會」贊助)

發佈時間_ 2018\06\26
版權資訊
原件著作財產權人: 陳湘汶
數位檔案著作財產權人: 在地實驗、數位荒原
直接連結: http://archive.etat.com/?p=6907
發表迴響

請先登入社群網站,或是填寫兩個必填欄位「姓名」與「電子郵件」後再送出留言,您所輸入的資訊僅供本網站使用。

發表迴響

你的電子郵件位址並不會被公開。 必要欄位標記為 *

延伸閱讀
資料時間_ 1998/08/18
...
發佈時間_ 2017\09\06
0則迴響
資料時間_ 2014/09/20
除了以美術史研究最常仰賴的題材、主題與年代來策畫特展之外,近年來也有越來越多的美術館試以打破線性歷史邏輯、突破題材分類的視角,來策畫特展。無論是國家藝廊在美術史特展中安插當代藝術作品,例如2012年的「變形:提香」(Metamorphosis: Titian)特展,或是維多利亞與亞伯特美術館以搖滾 ...
發佈時間_ 2016\12\27
0則迴響
資料時間_ 2016/01/11
「免費字母 The Free Alphabet」是一項蜜雪兒·羅森伯格進行中的計劃,計劃中,將垃圾以及很容易被找到的免費物件,轉換成在公眾場所中有功能的語言。靈感來自於2012年的「佔領華爾街(Occupy Wall Street)」,其中,地圖式繪出公空間中的physical and polit ...
發佈時間_ 2017\02\07
0則迴響