影音檔案庫
BROWSE BY:
Chang Shih-lun 'Nameless Escape —Some fragments on the rupturing of body/language in the 1990s'
Chang Shih-lun 'Nameless Escape —Some fragments on the rupturing of body/language in the 1990s'
資料時間_ 2017/07/15

Silhouettes of protest, like gun smoke, like a heap of stinking motor oil leaking from a broken-down car that has been left burning on the long road called “time” since the post-Martial Law whirlwind of the 1980s and in the years that followed.

There are striking protagonists and eye-catching scenery along this long road. For instance, the (Wild Lily) Student Movement activists have a proclivity for resorting to “back in the day” when they recount the sense of purity, idealism, divergence, and change since the 1990s, as though they were chatting about a wild lily that had a specific lifespan whose withering was inevitable and finding solace in the self-aggrandizing “after all I was once youthful” while accepting its inevitable demise. But beyond the nurturing imagery of a botanical gardener, the cacophony among non-intellectuals was in reality a vociferous fervour, an unbridled frenzy, and a jagged peril that was pervaded through society. Beyond the outwardly solemn and ceremonious “localization,”“”(representative) democratization” and various bourgeois/ modern/urbane grand narratives are merely incidental miscellany, including the neglected and forgotten incidences such as the “Bumble Bees Brigade” who swarmed with spray paint and vandalized, or “Street Vigilantes” who advocate violence as the only means to combat violence, and the airwaves of unregulated “pirate radio stations,” etc.

In the textual writing of selective recall and retelling, this grotesque, uncanny, frenetic disarray is usually either marginalized and trivialized as a type of “necessary evil” in a temporarily painful stage of political transformation; or else is written by proxy in a romanticized tone with the rose-tinted gaze of nostalgia. The visage of the transient voiceless masses of the past remains obscured.

“Excerpted from the first paragraph of this article.” 

This article is published in Broken Spectre catalog.

Read more:
1.捕捉文化史的鬼影:「破身影」展覽(2017/07/01-09/17)
2.
〈[ET@T Forum] 重新破裂,或如何從漫長的九〇年代離開?〉,在地實驗影音檔案庫,2017/07/09
3.
「過於喧囂的孤獨--台灣九〇年代的文化轉型」,在地實驗影音檔案庫
4.〈濁水溪公社1998年現場演唱及專訪紀錄〉,在地實驗影音檔案庫,1998/08/07
5.〈[文宣]「台北破爛生活節」手繪時間表傳單〉,在地實驗影音檔案庫,1994/09/01-1994/09/05

發佈時間_ 2018\05\30
版權資訊
原件著作財產權人: 文/張世倫、圖/見文章圖說
數位檔案著作財產權人: 在地實驗
直接連結: https://archive.etat.com/?p=6857
發表迴響

請先登入社群網站,或是填寫兩個必填欄位「姓名」與「電子郵件」後再送出留言,您所輸入的資訊僅供本網站使用。

發表迴響

你的電子郵件位址並不會被公開。 必要欄位標記為 *

 

延伸閱讀
資料時間_ (不明)
發佈時間_ 2017\12\20
0則迴響
資料時間_ 1994/09/03-1994/09/04
1994年在永福橋河堤公園舉辦的「台北破爛生活節」,由吳中煒、林其蔚一起籌備執行,「台北破爛生活節」原本名為「河堤呼喚」、「台北非人生活博覽會」等名稱,除邀請到日本噪音團體 Monellaphobia 首次來台和臺灣地下樂團「濁水溪公社」、聲音實驗藝術團體「零與聲音解放組織」、美國德州另類怪傑 ...
發佈時間_ 2017\07\03
0則迴響
資料時間_ 2017/07/15
硝煙般的抗議身影,就像破車旁一坨不斷漏洩的臭醺機油,從戒嚴狂飆的八〇年代一路延燒至解嚴後,那是一條名為「時間」的長路。 長路沿途,總有較為醒目的主角,與顯眼突出的風景,例如學運人總愛用「話當年勇」的方式,細數九〇年代以降的純 ...
發佈時間_ 2018\05\30
0則迴響